I get a fair amount of emails about the Maison des Auteurs residency in Angoulême from artists who are thinking about applying. I’m always happy to help people decide if the MdA is right for them, but I figured it might be a good idea to put all this information in one place so that anyone can access it. If there’s anything you would like to know which isn’t addressed here, please add it to the comments and I’ll try to answer it as best I can.
And of course, these are just my own thoughts on the residency. I would encourage you to contact other artists who are either currently residents or who have been residents in the past as well as, of course, the very helpful Pili Munoz and Brigitte Macias who run the residency (you can contact them via the little orange contact icon at the bottom of this page: http://www.citebd.org/spip.php?rubrique381)
In this post, I’ll give you an overview of the residency itself and how to apply. In the next post, I’ll talk a little bit about the pros and cons of living in Angoulême.
What is the Maison des Auteurs?
The Maison des Auteurs (MdA) is an artists residency program which is part of the Cité Internationale de la Bande Dessinée et de l’Image in Angoulême, France. It provides studio workspace and amenities and, in some cases, a place to live. The residency is open to cartoonists, animators and multimedia artists from anywhere in the world.
This is the Maison des Auteurs building, set right on the edge of the edge of the old city walls.
The top three floors are all studio spaces (private and shared). The ground floor holds the MdA offices, a room for matting and binding, a giant networked printer (which is pretty cheap for residents to use) and a room of computers and scanners for general use. There’s a little kitchen in the basement with a fridge you can store your fromage in, and a microwave. Also a pretty nice gallery space which is used to the annual exhibition during the festival (more on that later)
How long is the residency?
An initial residency at the MdA can be anywhere from a few months up to two years. You can reapply for more time while you are still in residence (or if you leave for a while and decide to come back, even years later) for up to four years. If you request an MdA apartment, you can only live in that for up to a year and then you have to split and find your own sublet to make room for other artists.
What are the benefits of a residency at the Maison?
You’ll be set up with an amazing studio space equipped with all the scanners and lightboxes you might need. These are really deluxe setups. Each artist has a computer desk with a Windows based computer loaded with all the Adobe programs and other good stuff (I wouldn’t know because I brought my own laptop and hardly ever used the computer I had assigned to me). Each artist also has a drawing table.
There is room for about 16 artists in total at the maison. Some of the studios are shared spaces.
Here’s my buddy Nathan Schreiber in his studio in front of his drawing desk. He shared this room with one other artist, Julian Zanesi.
I somehow can’t find photos of my studio space right now, but this was the view from my window:
Artists work at the studio at all different hours. Sometimes it can feel like you’re the only one there, but thats usually because people are hunched over their work behind closed doors. Artists often gather for tea or lunch in one of the common areas on each floor (there are hot water makers and coffee makers galore).
Getting to know the other artists at the MdA is as much as a benefit as the luxury studio space is. There are always new residents coming in (which, sadly, also means there are always residents leaving) and its easy to get to know people if you’re not too shy ( speaking French helps).
Everyone at the MdA is doing amazing work. Its inspiring to be around people who are making such incredible comics and animation. Also a little intimidating, but thats just part of the inspiration package I think. Being an MdA resident means you’re part of a great community of creators, and it extends beyond the walls of the Maison as well. Angoulême has about four major animation studios (its one of the only cities in France besides Paris which has such a high concentration of these studios) and several quality art schools .
And of course there are many other cartoonists in town who are not MdA residents. Some of them are former residents who stayed on in Angoulême, some of them are former students who stayed on in Angoulême, some of them just came because the city is such a center for comics and animation. There are quite a few shared studio spaces in town where people work, such as Cafe Creed.
And then there’s the FESTIVAL.
Residents get a special MdA badge which gives you access to all four days of the Festival Internacional de la Bande Dessinée. Your badge not only gets you into all the tents, but you can also go hang out in the special press room at the Hotel de Ville, where there’s free coffee and cognac.
Plus, you will be one of the lucky few who have a place to stay in central Angoulême during the festival. People often have to stay miles away because all the hotels are permanently booked by the major publishers. You will suddenly become very popular in the months leading up to the festival as people realize this (this can also be a “con”).
There are a few other MdA related perks during the festival. One is the residents exhibit in the Maison’s gallery which I mentioned above. Every artist can choose several pages to displace, and Brigitte, Pili, and other MdA staff do an amazing job of framing and hanging the work.
Last year’s show was VERY heavily attended by festival goers, and its not uncommon to be approached by publishers later who will say that they saw your work there and might be interested.
There’s also the 24 Heures de la BD (24 hour comics day) which is sponsored by the MdA right before the festival.
Anyone in the world can participate virtually by uploading their pages to the MdA site, but registration for those who want to actually be working from the Maison is limited. Of course, residents have priority for this. Its a fun event, and I really think it helped me open up the way I draw, but be aware that staying up all night RIGHT BEFORE a four day festival which is full of way too many people to talk to and things to see in the first place might just add to your exhaustion.
For more info about 24hBD see my post about it here: http://sarahglidden.com/24-h-bd/
Here is my full festival report from 2012 if you want to know more about what it is like : http://sarahglidden.com/fibd-angouleme-2012/
When the festival ends, everyone leaves, and Angoulême looks like this
Other benefits! Residents get free entry into the Musée de la Bande Desinee which has a great permanent collection and hosts a huge expo for the festival every year.
It also has an amazing bookshop which, if you are like me, will make you feel like a tiny speck of sand on a vast beach of more talented sand.
Across from the museum is the comics library, which has an amazing array of comics in French, plus a selection of work in other languages.
Here’s some of the stuff I borrowed in my first week.
You probably want to know more about the possible free apartment I mentioned. So, the MdA has five apartments which are available for residents, and priority is given to non-French residents (because renting an apartment in Angoulême as a foreigner is very difficult). One of those apartments is reserved for the yearly Spanish resident in partnership with Spanish state funds, so there are really only four apartments. Three of them are for one person (or maybe a couple) while one is for two residents to share. That shared apartment is right near the MdA in a really old building which is probably older than my country.
The other three apartments are in a newer building down the hill from the Maison. That building certainly doesn’t have the charm of the old house on the plateau, but the apartments are clean, bright spaces and you’re steps away from the Charente river, the comics museum, and the comics library.
I had the smallest apartment, which is more like a studio apartment, but still plenty big for my purposes:
Most of the apartments have a washing machine! Also they have all the basics there waiting for you such as kitchen stuff, sheets, towels, furniture etc. Within reason, the MdA will provide you with anything you dont have that you think you’ll need (like if your place doesn’t have a broom or hangers or something)
If you need an apartment, you should specify that in your application letter. Tell them how long you would need it (up to a year). Because apartments have limited availability, you should apply as far in advance of when you think you want to go as you can. If you don’t have a specific time that you want to be there, they can just tell you when the next apartment will be available.You do need to pay for utilities, which are not that much in warm weather but heat can be a bit expensive in the winter (maybe 40 euros a month? I don’t really remember)
If there are no apartments available for when you want to go, you can always sublet. This is not financed by the MdA, but you will be able to find a place to live for 300 euros a month or less (if you are willing to live with roomates.) I’m not sure about subletting your own place…that probably depends on who is going on a long vacation. But its easy to ask around.
OK thats a lot of benefits! Onto other things…
Do I need to have been published in order to be accepted?
You don’t need to have a published book under your belt in order to be accepted into the residency, although many of the artists in residence have published work before in some form or another. Others are working on their first book (with and without publishers already signed on). I’m pretty sure the committee just wants to see that you’re very serious about your work and that you have advanced to a point in which you are motivated to complete your project. Any evidence to show that you have been working independently for some time would be helpful.
Can I work on whatever I want?
They seem to be leaning towards accepting people who are working on a single, solid project (like a book) with goals to finish it in the not-too-distant future. They want you to have a clear vision for what you will be working on at the MdA. It’s not really the right residency if you’re just working on short pieces and you want to work somewhere else for a while (although I’m sure there are exceptions to that). Of course, if you apply saying that you are going to be working on a book, but then when you get there you also want to work on other projects at the same time, thats fine!
Do artists get paid a stipend?
No, but you’re getting a deluxe studio space and possibly a free place to live, which is pretty awesome. There are certain grants that are available to artists from certain countries, but I don’t know anything about them because I’m from the United States which, as far as I know, has no state cultural funding.
But it doesn’t cost anything, right?
Besides paying your bills, there’s also a one time fee of 150 euros per year which you can kind of consider membership dues.Also there may be some visa fees which I’ll go into later.
Do I need to speak French?
No…you don’t need to speak French in order to be accepted. BUT you will have a much more enjoyable experience if you do speak French at a semi- conversational level. Sure, you can get around with just the basics so you can buy bread from the bakery or ask directions, but if you want to have a social life, French helps a lot. There will probably be another native english speaker there while you are (Matt and Jessica will be sticking around for another few years and there seem to be more Americans and Canadians going these days) and many residents from France or other countries speak english as well. But not all of them.
You will have a MUCH easier time and feel way less isolated if you put in the time to learn some french (or improve your high school french) before you go.
I’ve written a post here all about how to teach yourself french if you want some advice: http://sarahglidden.com/how-to-learn-french-in-two-years-or-less/
But you can get by without years of preparation. There are classes in town which you can take. And of course, there’s no better way to learn a language than be immersed in it. Just be prepared to feel a little lost.Even if you think you speak French kind of OK you will probably still feel a little lost…sometimes very lost. Especially in group situations where everyone is talking at once. But I think feeling that way is a good thing to experience at least once in your life maybe? Its character building?
Also you may not care about building a social life and be content with just focusing on your work. You don’t need french for that!
OK, so how do I apply?
Go to the site and fill out an application: http://www.citebd.org/spip.php?article17
This is my english translation of the conditions of admission from the website:
Application package: An artist wishing to work towards the completion of a drawn work, animation, or audio visual project, whether as an individual or as a partnership or collective should send in the following things to the Maison des Auteurs in digital form:
- A CV and several examples of representative work
- A letter which describes their reason for wanting to attend the residency and a specification as to how much time they would require to work on their project.
- A precise description of the project they wish to work on. If it’s a comic, they should include three finished pages of the work in question. For an animation, the application should include a synopsis, one or two scripted sequences, and visuals which present the look of the film and characters.
- A filled out “fiche auteur” form (document downloadable from website).A committee gets together several times per year to review applications.
The application deadlines are February 10th, June 10th, and October 10th.
Do I need a visa?
I can only give advice to Americans here because thats what I know. And its probably not even very good advice. Let me repeat that: I MAY BE GIVING YOU INCORRECT ADVICE. PLEASE DO YOUR OWN RESEARCH ON THIS!
If you are coming for three months or less as an American citizen, you do not need a visa. You automatically have a 90 day tourist visa when you enter any of the 22 European countries which are part of the schengen zone (France being one of them).
But if you want to stay longer, you will need a visa (unless you want to just try your luck and stay illegally, but I can’t recommend that in good conscience). The visa process was very confusing! I did a lot of googling before I decided that I probably need a Long Stay Visitors Visa.
This visa does not give you the right to work for a French employer, but you can exist in France with it.
You will need to make an appointment at your nearest consulate and prepare the required documents. Make sure you make the appointment as far in advance as you can, because sometimes there wont be an open appointment for months. When its time, you’ll take all your paperwork and your passport to the consulate and have a short interview, they’ll take your passport, and then mail it to you when you have your visa (they need to mail it first to the embassy in DC).
Different French consulates in the US have different information on what you will need for this visa. Its annoying. When I had my appointment at the French consulate in Boston, they even asked me for something that wasn’t on the website: proof that I had never been convicted of a crime. I wriggled out of that one eventually (I didn’t even know where one would obtain such a document). You can’t just call the French consulate and talk to a human person on the phone about what you will need (to be fair, I’m sure this service is not available for most countries’ consulates) so if you have questions about the requirements, just fish around on the internet as much as possible.
But here are some of the things you’ll run into:
You will need to prove that you have enough money in your bank account to cover your stay. I think they want you to show that you will have $1,000 for each month you plan to be in France. They will want to see three months of bank statements showing you have enough to support yourself. If you have an income, you should include your paystubs. Or you can maybe get a notarized letter from a guarantor (like a parent) saying that they can cover you. I know this sounds like a lot. I did not do something like borrow enough money to make it look like I had this much in my bank statements, then give that money back after I got the visa. Nope…I definitely didn’t do that…
You’ll also need to prove that you have medical coverage. Your healthcare plan probably wont cover you in France, and thats OK (you can pay out of pocket if you need to go to the doctor and it isnt too bad), but you do need to have “repatriation of remains” covered. They are worried that if you die in France, they will have to pay to ship you back home. I bought travelers insurance through World Nomads because they had this covered (plus World Nomads covered the $500 repair to my computer when I spilled water on it, so it paid for itself).
The MdA will provide you with a letter that states that they will be covering your living arrangements. You’ll need that for your visa application.
The other stuff on the list is pretty self-explanatory. ID photos, a self addressed stamped envelope, proof of residence, etc.
You will also need an OFII form. Part of that will be filled out by the consulate/embassy in the US and then they will give it back to you. When you get to France, you are supposed to go to the OFII office in town to complete this. They will make a medical appointment for you in Poitiers, which is about 45 minutes away by train. It will cost about 70 euros. Then you will have to pay a 300 euro “tax.” I don’t know what this is all about and I don’t know what the medical exam is like because I never did any of this. Somehow in the excitement of moving to Angoulême, making new friends, and attending my first FIBD festival, I completely forgot that I was supposed to go to the town prefecture and get this paper signed off on. I didn’t even know that there was going to be a doctor’s appointment or a 300 euro tax.
The result of me not doing this: nothing. Until I wanted to renew my visa (I initially asked for an 8 month visa and then wanted a few more months). Turns out it was a very bad thing that I never got my OFII paper completed! I would not be able to renew my visa unless I went to that doctor, paid that tax, and then came back again once all that was done. I was about to leave the country for a festival in Colombia, so I didnt have time to do all this. So I gave up on renewing the visa and just hid in Latin America for three months so that I could come back in with a new tourist visa.
None of this is what I advise you to do. Be a responsible traveler and respect the country you want to spend time in, don’t be a jerk like me and forget to get your OFII thing stamped.
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